What to expect
New and unique places are exciting for all of us and to artists this is especially
so. Our studios seem to inspire all. Our courses are fresh and new and are based
on the principle that we can all learn drawing and painting techniques. Although
we believe traditional techniques are the foundation of the visual arts; our premise
is to understand many aspects that are so often thought to be difficult to accomplish.
Our courses are inspiring, fulfilling and hugely enjoyable.
Our simple teaching philosophy is to give you full knowledge of the classical elements
of drawing and painting and the means to self expression.
Based in the dépendances of our maison de maître in a beautiful
village near the Camargue. We have a substantial artists’ studio and the benefit
of the unique light, warmth and landscape of the region.
The Studios are in Aubais, in the Gard region of the south of France where there
is an average of 300 days of sunshine a year.
Our accommodation is in a mediaeval winemaker’s lodge. We have provision for up
to 12 guests. It is very comfortable, some of our rooms have ensuite bathrooms.
All meals are provided with exterior and interior dining; the varied Mediterranean
food and wine are plentiful.
Our courses are designed so that, in a relaxed way, everyone who attends can achieve their goals, whether it is on one of our short courses or our longer portfolio course for entry to Art School but above all we intend that all those who attend have an enjoyable and fulfilling time.
“During my two weeks spent on the Masterclass at Kate and Tod's beautiful house in Aubais I can safely say that I learnt more than in my 2 years spent out in Italy. Tod is an inspiring teacher and Kate a wonderful host and cook!” Tom, Masterclass student 2011
“When my daughter was about seven years old, she asked me one day what I did at work. I told her I worked at the college – that my job was to teach people how to draw. She stared at me, incredulous, and said, 'You mean they forget?'” Howard Ikemoto (1939)
“Remember that a picture - before being a horse, a nude, or some sort of anecdote - is essentially a flat surface covered with colours assembled in a certain order.”
Maurice Denis (1870-1943)